The Theories of Propp and Todorov

Vladimir Propp
Propp was born on April 17, 1895 in St. Perersburg. He studied at St. Petersburg University majoring in Russian and German Philology. He published his morphology of the Folktale in 1928. Propp was essentially interested in the narrative of folk tales. He noticed Folk tales were similar in many areas. They were about the same basic struggles and they appeared to have stock characters. He identified a theory about characters and actions as narrative functions. Characters, according to Propp, have a narrative function; they provide a structure for the text. His character types can be applied to almost any story, be it in literature, theatre, film, television series and games. He essentially portrayed film as a fairytale. 

His Theory:

 Characters that perform a function 

The Hero – a character that seeks something 
The Villain – who opposes or actively blocks the hero’s quest
The Donor – who provides an object with magical properties

The Dispatcher – who sends the hero on his/her quest via a message
The False Hero – who disrupts the hero’s success by making false claims
The Helper – who aids the hero
The Princess – acts as the reward for the hero and the object of the villain’s plot
Her Father – who acts to reward the hero for his effort


Actions as functions of narrative

Preparation


A community/kingdom/family is in an ordered state of being

A member of the community/kingdom/family leaves home

A warning is given to the leaders of the community or a rule is imposed on the hero

The warning is discounted/ the rule is broken

The villain attempts to discover something about the victim of the broken rule

The villain tries to deceive the victim to gain advantage

The victim unwittingly helps the villain



Complication


A state of disorder

The villain harms a member of the community/kingdom/family

One of the members of the community/kingdom/family desires something

The hero is sent to get what is desired

The hero plans action against the villain



Transference


The hero leaves home

The hero is tested or attacked/ he meets the test and is given a magical gift or helper

The hero reacts to the donor

The hero arrives at the place he can fulfil his quest



Struggle


There is a struggle between the hero and the villain

|The hero is branded

The villain is overcome

The state of disorder is settled



Return


The hero returns

The hero is pursued

The hero escapes or is rescued

The hero arrives home and is not recognised

A false hero claims rewards

A task is set for the hero

The task is accomplished



Recognition


The hero is recognised

The false hero or villain is unmasked

The false hero is punished

The hero attains the reward (princess/ kingdom)
Tzvetan Todorov
Tzvetan Todorov (born March 1, 1939) is a Franco-Bulgarian philosopher. He has lived in France since 1963. He's spent his career writing books and essays about literary theory, thought history and culture theory. Tzvetan Todorov simplified the idea of narrative theory whilst also allowing a more complex interpretation of film texts with his theory of Equilibrium and Disequilibrium.

There are five stages the narrative can progress through:

  •  A state of equilibrium/status quo - all potentially opposing forces are balanced.
  • A disruption of that order/equilibrium by an event
  • A recognition that the disorder has occurred
  • An attempt to repair the damage of the disruption
  • A return or restoration of a NEW equilibrium
This narrative structure can be applied to most mainstream films of today.
 

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